WarnerMedia leadership also hinted at a part two in an interview with Variety on Thursday, with executive Ann Sarnoff saying that the greenlight would be based on “the entirety of what ‘Dune’ can do for the company, including HBO Max.” “Dune: Part 2” will follow his efforts to exact revenge against the noble families who murdered his father, Duke Leto Atreides, and restore himself to power. “Dune: Part 1” ends with Timothée Chalamet’s Paul Atreides, a Messianic figure at the heart of the series, seeking shelter from enemies in the desert. There’s still a lot of story left to unfold.
#Dune (film) movie#
For several reasons, it didn’t happen, and I agreed to the challenge of making part one and then wait to see if the movie rings enough enthusiasm… As I was doing the first part, I really put all my passion into it, in case it would be the only one. When interviewed by Variety at the Toronto Film Festival, Villeneuve said, “I wanted at the beginning to do the two parts simultaneously. In fact, the film’s opening title sequence rather boldly read “Dune: Part 1.” Director Denis Villeneuve was adamant in interviews that his adaptation of Frank Herbert’s novel would have two parts. expected the film to generate when it was greenlit, which is notable because that’s long before COVID-19 upended the media landscape.Ī return to Arrakis was always part of the plan. Its domestic opening results were roughly in line with what Warner Bros. The film has also performed well overseas, earning nearly $225 million globally. and a sign of fans’ desire to not only stream “Dune,” but see it on the big screen. That result was the best film opening of the year for Warner Bros. 22 in the U.S., earned $41 million in ticket sales in its first weekend. The first part of the sci-fi epic, which opened Oct. We're excited to continue the journey! /mZj68Hnm0A The spaceships in the movie are so shabby, so lacking in detail or dimension, that they look almost like those student films where plastic models are shot against a tablecloth.Thank you to those who have experienced so far, and those who are going in the days and weeks ahead. An evil baron floats through the air on trajectories all too obviously controlled by wires. The heads of the sand worms begin to look more and more as if they came out of the same factory that produced Kermit the Frog (they have the same mouths). If the first look is striking, however, the movie's special effects don't stand up to scrutiny. Occasionally a striking image will swim into view: The alien brain floating in brine, for example, or our first glimpse of the giant sand worms plowing through the desert. The movie has so many characters, so many unexplained or incomplete relationships, and so many parallel courses of action that it's sometimes a toss-up whether we're watching a story, or just an assembly of meditations on themes introduced by the novels (the movie is like a dream). There are various theological overtones, which are best left unexplored. Spice allows you to live indefinitely while you discover you have less and less to think about. He leads his people against an evil baron and tries to destroy a galaxy-wide trade in spice, a drug produced on the desert planet. It has to do with a young hero's personal quest.
The movie's plot will no doubt mean more to people who've read Herbert than to those who are walking in cold.
David Lean solved that problem in " Lawrence of Arabia," where he made the desert look beautiful and mysterious, not shabby and drab. Yes, you might say, but the action is, after all, on a desert planet where there isn't a drop of water, and there's sand everywhere. Even the color is no good everything is seen through a sort of dusty yellow filter, as if the film was left out in the sun too long. This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time. It took "Dune" about nine minutes to completely strip me of my anticipation.